Glass Paintings
Introduction
Painting on glass is another genre of Tanjore painting . The technique of
glass painting came to Tanjore in the middle of the 18th century AD Court scenes are
usually derived as the theme of the paintings. Nobles and ladies predominate in the scenes.
Usually the outline and large areas of colour are painted first. The details like eye lens,
mouth etc., are put in at the finishing stage. This method is reversed in Tanjore
paintings which in art history Jargon is called reversed Method. It is generally made up of
tempera medium (Water colour). |
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Kings (standing)
Size : 53 X 43 cm.
Tempera medium on glass.
Tanjore school.
About early 19th Century AD.
The theme
of the painting is portraits. The two kings are depicted in standing position. |
The Raja and Rani are in seated posture
Size : 53 X 43 cm.
Tempera medium on glass.
Tanjore school.
About early 19th Century.
The glass
painting has rich colour. The picture shows the figure of Raja and Rani. They
are painted in modern style. |
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Kaliyakrishna
Size : 39 X 28 cm.
Tempera medium on glass.
Tanjore school.
About early 19th Century AD.
The painting shows Krishna
as a child seated on a Naga. |
Deccani Painting
Introduction
The
Deccani painting is an offshoot of the Moghul school, which flourished during
the 17th and 18th centuries under the patronage of Bamini rulers of the Deccan
states of Golconda and Bijapur. The Portraits, Ragamalas and book
illustrations formed the subject of this school. Large scale paintings on canvas were also
been made in this period.
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Procession of Gulam
Ahmed Khan Bahadur, son of Nawab Ali Khan Bahadur
Size: 38.4 x 44.9 cm.
Tempera with gold stippling on paper.
Deccani painting.
About 18th century AD.
Transferred
from the School of arts and Crafts, Chennai in 1943. |
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